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As both songwriter and producer, Andre Tanneberger has been living in two worlds for quite some time. One is the world of electronic music, where he has created extraordinary, melodious club tracks and played countless DJ sets all over the globe. Worldwide fame came courtesy of numerous top ten hits such as “9 PM (Till I Come)”, “Don’t Stop”, “Killer”, “Let U Go” and “Ecstasy”. The other world is an atmospheric domain – smoother songs to lose yourself in, where you can begin to dream.

On this, his seventh album ATB has succeeded in combining the two worlds, without intermingling them unnecessarily. “Trilogy” provides the electronic and melodious ATB sound blended with a unique rock and pop crossover flavour on the first CD. The second CD, on the other hand, offers the listener 14 super smooth tracks. “Every album should have its own soul and a golden thread leading through all the songs. However, you only really feel the soul if you listen to all the songs together. If you mix up the faster and slower songs, that isn’t going to work,” explains Andre.

The golden thread he is referring to has been a feature of ATB’s career to date. Punctual as ever, he delivered an album for his fans every year. “Seven years”, released in 2005, was a mixture of new songs and a retrospective “Best Of” collection. This album formed a link between the past and future of his music. In doing so, ATB was also able to break with old habits. “Bringing a new album out every year wasn’t a deliberate plan as such, it simply happened.” Last year was the first in a long time in which I did not release a new ATB longplayer. After having played gigs all over the world in 2005 and 2006 I needed a break. I had to come to terms with new influences and jettison the old sounds.”

Mission accomplished – the new album presents an array of innovative styles, making use of stronger instrumentation and tools:

“In the field of dance music the ratio or influence of electronic sounds to “handmade” drums, piano and guitars is around 90/10. We wanted to break open the whole thing and go for a 60/40 split, or even 50/50. We placed great emphasis on songwriting and spent a lot of time sitting in the studio playing drums or guitar, looking for new song ideas.”

His productions have always been international in character. “I have never thought about territories as such, or composed a song that for a certain region or country. That never worked for me. I think people are the same all over the world. Club music is a worldwide phenomenon.

People in Brazil dance to the same songs as people in Tokyo, London or South Africa. Dance music is a brilliant way to connect people all over the world”.

More than ten years of making electronic music and being a DJ have changed Andre, broadening his horizons. “My productions have become more adult. “Nevertheless his heart is still in electronic music, as well as being open to pop music. “You grow up and your taste in music grows with you.” Andre thinks the same is equally true for his fans. Having grown older with him, this is exactly why they can still identify with his songs.

The title of the new album shows that ATB has not broken completely with past conventions, but still has an eye on his past. Two songs on earlier albums were named “Trilogy”. The third version on the current album is not only the eponymous song, but also the concluding link of the chain. There is also a welcome return for a world famous international artist with whom Andre has collaborated in days gone by – the new song with Heather Nova turned out so well, that it has been chosen as the first single of the new album.

ATB also worked with Jennifer Karr, Jan Loechel, Jeppe Riddervold and Karen Ires on new album tracks. You can sense the creativity that has emerged from a concentrated phase in the studio. The many nights he spent with his team and best friend “Rhudee”, designated co-producer, proved truly inspiring. Andre points out: “We had so many songs left that we could have filled another album as well.” Having patently enjoyed his time in the studio, Andre is similarly looking forward to presenting the result to his fans. An eight gig Germany tour will be followed by shows in America, Asia, across Europe and Australia.

Born December 16th, 1971 in Eisenhuettenstadt, East Germany, Paul grew up in communist East Berlin. Prior to Germany’s reunification, he at least had an early window to the capitalist world via the cross-border airwaves.

“We were able to see Westside – TV and listen to western radio stations. We recorded the music and replayed it at our parties, because in the east we didn’t have something like a club culture. In those days I listened to the radio show of Monika Dietl. I was really captivated by the music of ‘The Smiths’ and ‘New Order’. It (the music) was very strong and emotional…

Then in 1989, as the wall finally came down, a broad Club culture sprung up throughout all of Berlin. “Mainly they played that hard Detroit – Techno. I liked this energetic spirit, but something was missing. I (was looking out) for something else.”

That search would never leave him. Stemming from two crusty old turntables, the first remix tapes of his musical ideas were created. And only a bit later, in March 1991, his unique style of dance music was played for the very first time to the public at the embryonic Berlin club “Tresor”.

Around this same period, Paul also started making his own original compositions. His first production “Perfect Day”, put together with Cosmic Baby as “Visions of Shiva”, was released in 1992. “I was pleased like a little child, holding my own very first record in my hands!,… Paul remembers. “Perfect Day” was published by the Berlin underground label ‘MFS’, and launched a promising career, which aimed without pause or hesitation for the top !

In 1993 Paul created the club hit of the year with his remix of Humate’s “Love Stimulation”. The following year, his first album “45 RPM” was recorded, while he was also regularly spinning sets at the legendary club ‘E – Werk’.

Over the next few years Paul garnered further respect by remixing tracks of many renowned artists such as Inspiral Carpets, Sven Väth, Curve and New Order. This was of course until the release of his second album, “Seven Ways”, which firmly established him as one of the world’s truly great electronic artists.

‘Seven Ways’ unleashed a frenzy of national and international interviews, and many globe-roaming DJ – sets as well, as Paul was catapulted into the Top 100 – Salecharts. Even the English music media, typically protective of their own homespun DJ artists, unanimously praised the record. Readers of “DJ Magazine voted ‘Seven Ways’ as the Number 1 album of the year. Bellowing singles such as “Beautiful Place”, “Forbidden Fruit” and “Words”, featuring remixes of Salt Tank, Quattara and Curve, fully secured him a place as a major player in the British and European dancecharts.

Before the club closed, Paul became an institution at Berlin’s ‘E – Werk’, regularly spinning new musical magic, with guest appearances by fellow superstar DJ’s Nick Warren, BT, Dave Seaman and Sasha.

In 1998 his first album “45 RPM” was released in the UK, and the new remix of the single “For an Angel” attacked the worldwide dancefloors. The album buzzed for two weeks at number 1 in England and four weeks at number 1 in the German dancecharts, and also achieved major postings in the American, Australian, Dutch, Belgian and Scandinavian dancecharts.

However, Paul’s core sentiments are not as a producer, to be shuttered away in some stealthy studio, but as a performing DJ very willing to be seen, and with a deep desire to have contact with his audience, whether it be 500 people or 1.5 million…

“As I began my career as a DJ I discovered that there is a really deep communication between DJ and people. I learned to observe the different vibrations, learned how to move the crowd, and how to create atmosphere.” Paul remembers, “because while spinning, an interaction takes place between the people and me. I never come into a club and spin just a ready set. It is also a very new experience for me every time, and nobody knows in advance how it will end.”

Now he creates that experience regularly, as resident – DJ in New York’s “Twilo” club, at the acclaimed “Gatecrasher” in Sheffield, and in his hometown of Berlin.

In 1999 Paul was divorced from his former label ‘MFS’ and started up, together with his team, the new label “Vandit” Records. This label presents both Paul’s releases, as well as other new and innovative dance/DJ artists.

In England, ‘Deviant’ – Records are taking care of Paul’s creative output, whose brainstorm was the 1998 Triple – CD “Vorsprung Dyk Technik”. Combining 33 tracks, it is the most exhaustive collection of Paul’s remixes to date, containing classics like Humate’s “Love Stimulation” and Joe T. Vanelli’s “Playing with the Voice in Germany” as well as Binary Finary’s clubhit “1998″ and Paul’s own chart single “For an Angel”. A year after its release in Nov 1999, “Vorsprung Dyk Technik” was officially declared “Silver” with over 60,000 UK sales, a very rare feat indeed for a Triple – CD.

Today Paul’s touring diary is incredibly hectic with regular globetrotting stops at major venues in London, Tel Aviv, Mexico, New York and Singapore. Between all that, Berlin is always there and waiting — if not for the interviews and local club dates, then for looking after his own label, recording studio and radio show (not to mention his friends and family as well!).

“It isn’t the success or which place I take in the salecharts that is important for me. (What’s) most important are the people, the family, friends, ..and everyone, (especially) where I’ve changed something. I am really pleased when someone tells me: “Hey, by hearing your song something changed in my life!” Paul says, “I’ve never made music for being trendy or making the fat money. I make music for myself, it (the music) comes directly from my stomach, my music springs from an intense feeling. And every track has its own little story…”

We are all wishing you lots of pleasure while listening or dancing to Paul’s music, and you’ll definitely be hearing more from him on this website in the near future !

Just listen, enjoy and be inspired !

Armin van Buuren is a happy man, and with good reason. Holding firm at Number 3 in the prestigious public-voted DJ Top 100, he’s making the transition from talented young upstart to leading light in the echelons of trance ��” and beyond. 2005 has brought two new significant awards (Best Radio Show, and Best Compilation for A State of Trance 2004 at the Miami Winter Music Conference Awards), and a stunning new artist album, Shivers, showcasing his debut as a songwriter.

Affronted by the cheesy tag that dogged it for a brief time real trance has continued to grow unabated, and the WMC awards reflect Armin’s success in producing and playing quality tunes that both excite existing fans and bring new people to the scene. “I think trance is becoming a broader term for a lot of different genres; it’s no longer a specific kind of music within the dance scene,” says Armin, widely credited with creating the blueprint track for the genre, Blue Fear, at the tender age of 19,. “Trance has elements of all different types of music. I play a lot of tracks that are labelled as progressive, tribal progressive, techno, trance, euphoric trance, vocal trance, melodic progressive… These days it’s really hard to label a specific sound. Styles are mutating and evolving into this all-over new sound, which is basically dance music going back to its roots. There’s so much good music out there and I don’t want to limit myself to just one style.”

Born in Leiden, Holland (on December 25, 1976) to a musical family ��” his dad had a serious penchant for a diverse range of genres including punk and electronica “to get rid of the stress of everyday life”, while his brother is a prodigious guitar player ��” Armin indulged his passion for music from a young age, blowing all the money from his paper round on records. His mum won a computer when he was 10, “So as a little nerdy kid I was writing my own Basic programmes, and learnt about the technology from there.” He progressed from making the usual tapes for his friends, put together on a cheap set of decks that he wore out learning to mix, after discovering his uncle experimenting with different sequences on his computer. “I was so amazed at what he was doing, since that moment I’ve been addicted to creating music!”

In the early 90s, Holland’s upfront dance scene meant that although Armin was too young to go clubbing, he knew the music inside out from listening to the radio. “I loved dance music immediately ��” this great rebellious sound that was so different to the ‘beautiful’ songs of the 80s”. Citing electronic pioneer Jean Michel Jarre as a major influence (famed for his awesome visuals as well as his groundbreaking synth sounds), as well as Dutch producer Ben Liebrand, who later mentored him in his mixing and producing, Armin was soon cracking out consistently stand-out tunes that graced compilations across the globe, and his DJ bookings were looking pretty healthy to boot. But despite his music career taking off at such an early age, Armin thought it was wise to have something extra in case the DJing didn’t work out, and studied for a law degree. He actually got a job offer with a law firm but says it’s not really his thing, though he does acknowledge he’d look good in a suit…

The final year of his course was inevitably stretched as he juggled his studies with his increasingly hectic schedule; his meteoric rise to fame included a slew of acclaimed productions and remixes, as well as playing out to packed clubs every weekend resonating with the vibe of thousands of happy party people. He took three years to graduate, but with typical determination saw it out to the end.

Armin’s Blue Fear, a Sasha and Digweed staple, previewed his signature style: divine layering of sounds, lush chords and a continuous driving beat with that intangible added extra, the unique essence that sets quality tunes apart when you hear them in a set. His subsequent productions and remixes (too numerous to list here ��” chuck him into a google search if you’ve got a day to read the resulting titles…), include Communication, Sound Of Goodbye, Burned With Desire, Touch Me, Free, Wamdue Project’s King Of My Castle, Solid Sessions’ Janeiro, and Solar Stone’s 7 Cities, as well as high profile collaborations with his peers.

While the remix offers now flood in, Armin only takes on tunes that he really loves, and that “I wish I’d made myself!” His compilations strive to follow that precedent, always comprising the cream of his current favourite tracks and mixes. It’s what keeps him one step ahead. His desire to showcase more of the wealth of good music out there, along with the number of people sending him tracks they wanted to release, led to the obvious step of starting his own label, Armada, in 2003.

“Maykel Piron was head of A&R for Warner Music, and we always said we’d start a label together, though there was always an element of bragging! I took him to Ibiza for a weekend, and during the trip we sat on the terrace and started talking. He felt like he wanted a new challenge, and so did I”. They teamed up with a third partner, David Lewis, who’d previously managed Armin, and the venture flourished. “What we wanted was a company that could offer everything for an artist: representation, a booking agency, and a record company. Artists can choose full management, or to just release a record or play out at gigs. Armada lets the artists choose what they want without telling them what to do”.

Freedom is something that Armin fully appreciates as an artist, and all the tracks on his compilations are tried and tested. “Production gives you more freedom ‘cos you can experiment more, it can be less obvious than DJing. Whatever – it’s the best life there is! It has to do with taste. I don’t often get to hear other DJs’ sets, but I like that I’m not particularly influenced by anyone else. Some of my sets have influences of house or breaks, but I still have a certain sound that’s my own”. He honed his sound on debut artist album, 76, for which he scored a prestigious Dancestar Award 2004 nomination (Best New Artist Album). “I’d always wanted to do an album, but there’d never been the time or the money. Scoring the number five position in DJ’s Top 100 poll the previous year helped to get labels interested, and I finally got to go into the studio. Basically everything I’d learned in the past 10 years fiddling around in my bedroom with equipment culminated in this album.”

Undaunted by the stir that his first offering caused, Armin has pushed himself further with his much anticipated second artist album, Shivers (out summer 2005). The title track has already dented the charts, and the second single is the anthem for massive Dutch party Sensation White. Armin jetted round the world for collaborations with the likes of Gabriel and Dresden, with whom he recorded in San Francisco and the honey-voiced Nadia Ali of iio: “We recorded a track in New York, and I’m really really proud of it! I wanted to take things a little bit further with the album ��” my definition of an artist album is something you can put on at home or in the car and really listen to ��” so it’s 10 brand new tracks that are very diverse, probably the most diverse things I’ve ever done. As a DJ you always have to take the crowd into account, but as an artist you have the freedom to make whatever you like, and I find that much more exciting creatively than being bound to that four to the floor or break beat or whatever. Shivers will appeal to a much bigger audience than 76, because it has a lot of rock and pop influences in addition to trance influences. 76 was almost like a ‘best of’ compilation because a lot of my earlier works were on there – it was sort of ending an era. Shivers is the work I’ve done in the last two years. It was also a real luxury as I had about 20 tracks by the time I needed to finish it, and I only selected 10 ��” as I worked the album just got better and better, so it was like drawing a line and saying ‘that’s it’. It’s really hard to let go to be honest, to stop the creative process!”

In fact, finishing Shivers has had the opposite effect and seems more of a start than an end. Clearly on form for a third album, (“I’m already working on it” admits Armin) the experience of making this one has opened a world of possibilities. “It was particularly interesting for me as I’ve really raised the bar this time in terms of song writing rather than purely thinking technically. I think technically, I know everything about trance and dance – I know how to make it, I know a lot about software and computers, but what I hadn’t had time to invest in enough was actual song writing, song structure, arranging, composing, that’s something a little bit new for me. Fortunately I’ve found the right people to work with ��” I know about dance music and they know about song writing – so it’s been a perfect amalgamation of the two.”

After four years of fronting his own weekly radio show, A State Of Trance, Armin signed a deal with The Radio Department (also home to John Digweed and Carl Cox’s shows) to distribute it internationally. Now online and on fm stations, his website details who is already broadcasting it ��” and the list is still growing. “There’s more new listeners because more people can access it now. I think trance is a universal experience; it’s one of the first musical genres that really showed its power through the internet, and I wouldn’t be where I am now if it wasn’t for downloads!”

Post-album, Armin says he’ll be “taking it easy for a bit”. Taking it easy Armin-style includes touring America (where he has a huge following) with Paul Oakenfold, who will then join Armin at his Armada night in Ibiza, a tour to promote Shivers, a huge event at the end of 2005 in Holland, and of course, the radio show, as well as focusing on new songs “when I get the time.”

“This is just what I want,” says Armin. “It’s not love for music, it’s a passion, and it goes beyond liking, and beyond a hobby, it’s about a way of living. Music is essential for my life”.

Tiesto’s career is punctuated by landmark achievements ‘ the first DJ in the world to sell out a solo stadium event for over 25,000 people, he scored a number one hit with his single Traffic, the first instrumental track to reach the top spot in his homeland of Holland in 23 years. His remix of Delerium featuring Sarah McLachlan’s Silence was the first house track ever broadcast on daytime radio in North America, (it became an international dancefloor anthem and also spent eight weeks in the UK top 10 chart). He played live in front of billions of people during the Parade Of The Athletes at the official opening ceremony of the Olympic Games in Athens. But despite his meteoric success, Tiesto remains grounded about his achievements and clearly loves making and playing music above the accolades it brings.

On Black Hole Tiesto has released the Magik and In Search Of Sunrise mixcompilation series, and most recent Nyana. His remix of ‘Delerium featuring Sarah McLachlan – Silence’ was the first house track ever broadcasted on daytime radio in North America and was eight weeks in the U.K. top 10 chart.

Born in Holland, Tiesto became a DJ because he ‘liked to share music with other people. When I was younger, I’d listen to a radio show called the Soul Show, and to Ben Liebrand’s mix show, where he would remix and cut up different tracks, and I just thought – I wanna do this!’ Starting out with a mobile show around the country, he progressed to student parties, and then to three nights a week in a club, learning and perfecting his craft. ‘music was always my first love but back then I didn’t know it was possible to make a living out of being a DJ… If I wasn’t a DJ now though I’d be a chef. I love cooking ‘ it must be because of the mixing element!’ The productions came later, in 1995. ‘I really wanted to produce music that I could play in my sets, because it brings much more fulfilment to the process. I bought some samplers, some computer programs, and just started working on it.’ He makes it sound easy ‘ indeed, he makes it look easy as 10 years down the line his productions consistently bother the charts and frequently reach number one around Europe.

In 1997 Tiesto, along with Arny Bink, formed Black Hole Recordings, the label that launched the hugely acclaimed Magik. In Search Of Sunrise, and Nyana mix compilations. The label grew to such proportions that in 2001 Tiesto started a sub-label, Magik Muzik. ‘It’s the home of records of mine, or of people whose work I really believe in,’ he enthuses. ‘Everything on Magik Muzik is what you’ll find in my sets, which makes it more of my own little project.’ Some of the gems from Magik Muzik include 2001 anthem Flight 643, his artist album In My Memory, and tracks from Umek, Mark Norman and Mojado.

Though known primarily for his pioneering contributions to the trance scene, Tiesto’s style is now a mix of everything: ‘trance, house, techno – it’s the best of all that the dance world has to offer. In 1998, I was really a trance DJ, but now I’ve travelled round the world so much, different influences have seeped in and I play a bit of everything. I think the only way forward for DJs now is to play a diverse mix of sounds.’ Indeed, his brand of trance was always pushing at the constraints of the genre anyway, featuring soaring vocals from the likes of Sarah McLachlan and Kirsty Hawkshaw, spine-tingling breakdowns, and euphoric melodies at every end of the spectrum. His productions, sets, and releases range from peak time club heaven to the sort of perfect chill out that could reduce a grown man to tears, and have at times owed as much influence to classical music as to dance.

The many high profile gigs and shows have now taken Tiesto away from exclusively playing clubs, and propelled him to become more of a mainstream artist. ‘Often at my shows now, half of the people are die-hard clubbers, but the other half are people who know me from the radio, or from more mainstream gigs,’ he says. ‘It’s more like they’re going to a concert, so now I get a great mix of both worlds.’

In addition to this huge event, the album ‘Parade of the athletes’ is released worldwide in October 2004, which contains the music from Tiesto’s set at the Opening Ceremony. Simultaneously, the title song of his ‘Just Be’ artist album is climbing the lists and is heard on dancefloors everywhere.

Describing the last few years as ‘a journey of defining moments,’ (as well as the usual club successes, his shelves are groaning under the weight of numerous awards ‘ TMF-Awards, MTV, Dutch DJ – and gold discs…) his favourites include the second night of the Tiesto In Concert show in Holland in 2004: ‘I was really aware of what was going on, the music was just right ‘ a mix of all my big tunes and new tunes, everything just felt perfect that night. I played for nine hours straight, and it was my favourite gig ever.’ And, of course, being voted by the readers as the number one DJ in the world for the third time. ‘The first time it happened it was so amazing, I was overjoyed. The second and the third time were great as well of course, but the first time you’re on the cover of that magazine that is so respected by other DJs ‘ it’s like winning an Oscar!’

Continuing to explore fresh avenues, Tiesto is currently experimenting with new sounds in the studio, and writing more vocals himself. ‘I’m not looking for any big collaborations right now, I’m more interested in a burgeoning talent ‘ someone whose voice is good, and that really touches you. A voice should sound like an instrument to me. I’ve had a spell away from the studio, relaxing and travelling, but now I’m really enthused about getting back in there. I’m more open to doing remixes again. I like to hear a track and right away know what I want to do with it, what I can make different, and whether it’ll work for me in my sets ‘ all my remixes have to be tried and tested.’

The future for Tiesto promises yet further success, both as the solo artist he’s become and the DJ we know him to be. ‘Another album, more remixes, definitely,’ he agrees, ‘but it’s hard to look too far into the future. Every couple of months it seems that something new, unexpected and exciting is happening!’

Sally Learmouth

Awards Overview

Awards 2005

* 3 FM Award Best Dance Artist

* Release Dance Award Best Trance/Progressive artist

* Release Dance Award Best International DJ

* TMF Belgium Best International DJ

* Dance Music Award Germany Best Trance Artist

* WMC Awards Miami Best Producer

* WMC Awards Miami Best Hi-NRG / Euro track

* WMC Awards Miami The Ortofon Best European DJ 2004

* WMC Awards Miami Best Producer 2004

* TMF Award Holland Best Dance National

* TMF Award Holland Radio 538 single of the year

* TMF Award Holland Lifetime Achievement

* Edison Music Award Best dance album ‘ Just Be

Awards 2004

* ID&T Dutch DJ Award Best Dutch DJ by audience

* Buma/Stemra Sound of Silence Award

* TMF Award Belgium Best International DJ

* World Music Award World’s best selling Dutch artist

* Ibiza DJ Award Best International DJ Trance

* TMF Award Holland Best National DJ

* TMF Award Holland Best Dance Act National

* DJ Mag Top 100 Number 1 Position

* WMC Awards Miami Best International DJ

Awards 2003

* World Dancestar Award U.S.A. Best International DJ

* ID&T Dutch DJ Award Best Dutch DJ by professional jury

* ID&T Dutch DJ Award Best Dutch DJ by audience

* Radio 538 Dance Award Radio 538 Dutch Audience Edison

* TMF Award Holland Best Dance Act National

* TMF Award Holland Best National DJ

* TMF Award Belgium Best Dance International

* MTV Europe Music Award Best Dutch Act

* BG Magazine Award Best Club/Trance/Hardhouse DJ

* DJ Mag Top 100 Number 1 Position

* Mixmag Award Best Resident Ibiza

Vatsyayana a folosit procedeul compilarii in scrierea operei sale Kama Sutra rezultat al studierii si meditatiei asupra unor lucrari ale lui Ramtideva, Babhrabia, Gonikaputra, Nandikeshwara si Kshemandra si a scrierilor sacre prezente in literarura hindusa. O intimplare cumplita petrecuta in primul secol al erei crestine cind un rajah si-a ucis sotia ” din dragoste “, intr-un moment amoros, l-a determinat pe Vatsyayana sa dea omenirii o lucrare care sa contribuie la evitarea unor astfel de accidente si la o mai concisa intelegere a erotismului si a raporturilor sexuale intre membrii unui cuplu sau a unei familii. Daca rajahul Kintal ar fi stapinit tehnicile de aplicare a metodelor populare hinduse privind erotismul probabil nu si-ar fi ucis sotia prin lovituri pasionale. Despre rolul Kama Sutrei ne vorbeste chiar autorul ei ” Aceasta lucrare nu a fost facuta pentru a servi ca simplu instrument pentru satisfacerea dorintelor noastre, o persoana care posedind adevaratele principii ale acestei stiinte, cultiva cu grija “Dharma” –virtutea religioasa, Artha- avutia paminteasca si Kama- placerea senzuala si tine seama de practicile poporului, va reusi cu siguranta sa isi domine simturile. O pesoana inteligenta si prudenta , care se ocupa de Dharma si Artha, precum si de Kama fara a deveni sclava propriei sale pasiuni va reusi cu siguranta in orice lucru pe care il intreprinde. Vasyayana considera ca femeile trebuie sa cunoasca bine regulile si practicile legate de Kama Sutra, femei incepind de la curtezane pina la sotiile inaltilor demnitari.Astfel o femeie trebuie sa studieze Kama Sutra sub suprvegherea unei prietene intime, in ceea ce priveste aspectul practic, iar in intimitate sa-si insuseasca cele 64 de practici insotite de stapinirea unor arte precum arta de a intui caracterul unui om dupa aspectul sau eterior, arta de a putea avea prin vrajitorie bunurile altuia, arta de a recita si compune versuri, arta exercitiilor fizice si ritmice, arta culinara, cintul, dansul, muzica insrumentala etc. Curtezanele ce stapineau si astfel de arte, erau declarate Ganika, adica frumoasele femei curtezane de rang inalt; ele erau respectate de rajahi si isi aveau locul lor bine situat in societate.

Tipiuri de act sexual

Barbatii se pot deosebi intre ei dupa marimea penisului, iar femeile in functie de adincimea vaginului.Astfel barbatii pot fi : barbatul-iepure, barbatul-taur si barbatul armasar. Si femeile se disting in trei categorii conform principiului mentionat mai sus: Femeia-caprioare, femeia-iapa si femeia elefant.

Datorita unei astfel de diferentieri, rezulta mai melte feluri de uniri intre parteneri: trei tipuri de uniri intre persoane cu dimensiuni compatibile si sase tipuri cind acestea nu sunt compatibile. Astfel avem :

Cu dimensiuni compatibile

·         Iepure-Caprioara

·         Taur-Iapa

·         Armasar-Elafant

Cu dimensiuni incompatibile

·         Iepure-Iapa

·         Iepure-elefant

·         Taur-Caprioara

·         Taur-Elefant

·         Armasar-Caprioara

·         Armasar-Iapa

Partenerii cu dimensiuni diferite pot practica:

·         Unirea inalta – atunci cind barbatul depaseste putin in dimensiuni femeia.

·         Unirea foarte inalta – atunci cind barbatul are raporturi sexuale cu o femeie a carei vagin are dimensiuni mult mai mici decit penisul barbatului.

·         Unirea joasa – cind femeia il depaseste pe barbat in dimensiuni

·         Unirea foarte joasa: cind este foarte indepartat de dimensiunile pe care le are partenera sa:dimensiunile penisului sau sunt foarte mici in comparatie cu cele ale vaginului femeii.

Combinatiile cele mai reusite sunt intre “Armasar si Iapa”, intre “Taur si Caprioara” ;acest tip de combinatie se numeste in termeni specifici Kama Sutrei o unire inalta.

De asemeni rezultate excelente se obtin intre “Armasar si Caprioara”, combinatie cunoscuta sub numele de unire foarte inalta. Rezultate mai putin satisfacatoare se obtin in cazurile de unire intre “Elefant si Taur”, cit si itre “Iapa si Iepure”, cazuri in care se poate vorbi de o unire foarete joasa.

In ceea ce priveste reactiile barbatului si ale femeii in timpul actului sexual, femeile nu au aceleasi manifestari precum barbatii in timpul eliminarii semintei. Astfel femeile simt o placere indefinibila “in timpul pruritului”, iar barbatii in timpul coitului se opresc imediat dupa ejaculare. Cu cit actul sexual este prelungit de barbat, femeia va simti o placere prelungita; ea va ejacula un mucus asemanator cu sperma barbatului. Discipolii lui Babhravia sustineau ca femeia ar incepe ejacularea odata cu inceputul coitului, si ca pasiunea acesteia este la inceput medie urmind apoi sa creasca treptat in utimpul actului sexual pina ce aceasta uita de sine, moment in care consimte sa inceteze coitul. Aceasta conceptie este pusa fata in fata cu cea a lui Vatsyayana conform careia mucusul femeii se scurge la fel cu cel al barbatului.El mai afirma ca este asa, deoarece insusi modul de a actiona in amor, atit al barbatilor cit si al femeilor este diferit.Placerea barbatului este la inceput mai mare si ea scade pe masura ce numarul raporturilor cu aceeasi persoana creste, fapt cu totul invers la femeie care are o pasiune mai redusa la inceputul raporturilor sexuale cu acelasi partener, pasiunea sa urmind sa creasca in intensitete in reprizele urmatoare.

Pozitii pentru amor mentionate de Babhravya

In situatia in care partenerii unui cuplu gasesc ca e mai avantajos pentru ei sa practice pozitia unei uniri inalte, partenera caprioara se va aseza astfel incit sa-si poata largi cit mai mult vaginul.

Atunci cind se vorbeste de o unire egala, atit femeia Caprioara cit si cea Elefant vor adopta o pozitie normala pentru a fi cit mai bine penetrata de ligamul (penisul) barbatului cu care se cupleaza.

In cazul unirii joase, femeile vor folosi diversi stimuli constind in obiecte de podoaba erotica pentru ca satisfactia lor sa atinga nivelul mult dorit – orgasmul.

1. Pozitia larg deschisa: atunci cind femeia sta cu capul aplecat ridicindu-si mijlocul corpului, oferindu-i-se din plin barbatului care va trebui sa foloseasca un unguent parfumat ca sa faciliteze intrarea penisului in Yoni (vagin)

2. Pozitia foarte larg deschisa: cind femeia isi tine coapsele ridicate si foarte larg desfacute, barbatul va trebui sa o patrunda usor, tinind-o de coapse si variind miscarile penisului care la inceput vor fi lente.

3. Pozitia sotiei lui Indra : cind femeia isi aduna coapsele dupa umerii barbatului,deasupra, putin indoite si defacindu-le larg lateral; aceasta pozitie cere atentie deoarece femeia ofera penisului o deschidere mare a vaginului barbatul putind sa o penetreze in voie; pozitia aceasta poate fi considerata ca una foarte inalta.

4. Pazitia strinsa: femeia si barbatul isi intind picioarele unul pe linga celalalt ; aceasta pozitie comporta doua aspecte: pozitia pe o parte, cind barbatul sta culcat pe partea stinga imbratisindu-si partenera pe care o va culca pe partea dreapta, principiu ce trebuie aplicat la toate femeile. Iar cind barbatul va culca femeia pe spate imbratisind-o in acelasi fel,se realizeaza pozitia strinsa, varianta pe spate

5. Pozitia ridicata: cind femeia isi tine coapsele ridiate , sprijinindu-se in miini si avind capul dat pe spate.

6. Pozitia deschisa: cind femeia isi va ridica picioarele pe umerii barbatului si se va sprijini cu miinile de mijlocul lui.

7. Pozitia semipresata: cind ambii parteneri sunt in pozitia de mai sus dar femeia tine unul din picioare intins; poate sa schimbe pozitia celor doua picioare, intinzind cind un picior cind pe celalalt obtinind astfel o durata mai mare a actuluisexual.

8. Fenta de bambus: cind femeia tine unul din piciore pe umarul partenerului, iar celalalt il va intinde; poate alterna pozitia picioarelor.

9. Fixarea cuiului: cind amanta isi va fixa unul din picioare pecapul amantului, iar pe celalalt il va tine intins, pozitie mai greu de realizat si de scurta durata datorita dificultatii ei.

10. Pozitia crabului:cind femeia isi va tine picioarele strinse si indoite pe stomac, iar barbatul aplecat peste ea o va penetra stind sprijinit pe genunchi si cuprinzindu-i cu minile umerii ei.

11. Pozitia pachet: cind femeia isi va impleti coapsele inlantuindu-si amantul si-i va retine penisul in vagin.

12. Pozitia in forma de lotus: cind femeia isi va tine picioarele unul peste celalalt, presind astfel penisul in vagin.

13. Pozitia turnata: cind femeia isi va inlantui cu picioarele mijlocul amantului sau, iar acesta stind in picioare o va penetra si se va roti in timpul contactului sexual.

* Cel mai recomandat este ca aceste pozitii sa fie efectuate in apa, data fiind dificultatea lor si pentru usurarea efortului ambilor parteneri.

Alte contacte pot fi:

Contactul sprijinit: cind barbatul si amanta isi sprijina corpurile unul de celalalt sau de un oarecare reazem, cum ar fi un arbore sau un zid si stind in picioare, incep contactul.

Contactul suspendat: Cind barbatul isi sprijina amanta de un arboe sau un zid si aceasta isi petrece miinile dupa gitul lui si il va cuprinde dupa mijloc cu coapsele, asezata pe miinile barbatului strinse sub forma de sezlog; barbatul isi va ajuta amanta in miscarile coapselor tragand-o spre el cu miinile.

Contactul “cirezii de vaci”: se mai pot realiza, de asemenea, mai multe feluri de contacte, imitind animalele: contactul pisicii, caprei, saritura tigrului, asaltul armasarului, contactul maimutei etc.O persoana ingenioasa trebuie sa inmulteasca felurile de contact, imitind diverse specii de animale, deoarece aceste feluri de contacte, realizate dupa obiceiurile fiecarui tinut si dupa fantezia fiecarui individ, genereaza iubirea, prietenia si respectul in inima femeilor.

Femei ce pot suplini rolul barbatilor

Despre aceste femei nu se poate spune ca sunt anormale, hermafrodite, etc. Pur si simplu ele actioneaza atunci cind simt ca barbatul este epuizat fizic si vor sa continue actul sexual pina ajung ( din nou ) la orgasm.

Ele pot sa ia rolul barbatului atunci cind datorita anumitor puncte erogene, nu sunt satisfacute de pozitia penisului in vagin. Se cunosc doua moduri de a actiona:

I.      In timpul actului sexual femeia se va roti si se va urca desupra barbatului, fara ca prin aceasta miscare sa intrerupa contactul. Ajunsa deasupra lui, isi va presa sinii de pieptul barbatului si ii va suride sau il va saruta pe frunte sau pe gura, sporind senzualitatea prin miscari ale respiratiei si prin zgomote specifice unei intilniri amoroase.

II.    Femeia poate adopta aceasta pozitie chiar de la inceputul contactului sexual dupa ce observa ca penisul barbatului este puternic in erectie.

Miscarile erotice efectuate de barbat

In actul sexual rolul barbatului ca element activ trebuie foarte bine jucat. Pe linga faptul ca el trebuie sa-i insufle partenerei sale incredere, el trebuie sa fie tandru, sa o mingiie, sa faca anumite miscari ale corpului sau si ale penisului aflat in erectie in vagin.A ceste miscari vor fi alese in functie de partenera: femeia-elefant, femeia-caprioara, femeia-iapa; pozitiile adoptate de parteneri in timpul actului vor influenta si imaginatia barbatului in alegerea miscarilor. Pornind de la aastfel de consideratii, mentionam posibilile miscari ce trebuie invatate de catre barbat si practicate in anumite imprejurari:

1.     Impingerea: se realizeaza atunci cind barbatul isi apropie penisul in erectie de vagin;

2.     Rasucirea: se efectueaza dupa introducerea penisului in vagin; el il va sprijini cu mina sa si-i va imprima o miscare de rotatie in vagin;

3.     Strapungerea: se poate face doar intr-o stare buna de excitare a organelor sexuale ale ambilor parteneri, in momentul in care clitorisul este excitat si penisul strapunge partea de sus a vaginului;

4.     Frecarea: se va executa aidoma miscarii de strapungere, numai ca penetrarea va avea luc in partea de jos a vaginului.

5.     Presarea: are loc atunci cind in timpul contactului, barbatul va presa penisul in vagin pe o perioada mai lunga de timp;

6.     Lovitura: in acest caz, femeia trebuie excitata la maximum, prin mentinerea penisului la o anumita distanta de vagin si prin patrunderea acestuia cu forta, rapid, dupa care barbatul isi va retrage penisul pentru a repeta miscarea in acelasi mod, variind ritmul si forta de patrundere, pina ce partenera va fi cuprinsa de extaz…

7.     Izbitura mistretului: se realizeaza atunci cin penisul patrunde in vagin frecindu-l doar pe una din parti;

8.     Izbitura taurului: Are loc atunci cind penisul fraca ambele parti ale vaginului, prin miscari rapide si paralele;

9.     Vinarea vrabiei: este recomandata sa fie facuta in ultima parte a contactlui sexual, cind penisul se afla in vagin si este agitat,aflat intr-o miscare rapida de du-te-vino, frecind vaginul in toate partile, in ritmuri scadente.

Cum sa incepi si sa sfirsesti un contact sexual

Vatsyayana incepe prin a descrie ” camera placerilor “, care va trebui sa fie decorata cu diferite flori si aranjamente cit mai frumos posibil. Aici va avea loc primirea femeii dorite, in prezenta prietenilor si a servitorilor lui. Vor bea bauturi tari si racoritoare, vor conversa pe diverse teme de societate si despre arta, vor cinta la diverse instrumente muzicale, vor face glume ” cu perdea “, usor voalate, referitoare la lucruri considerate aproape indecente etc. Barbatul va trebui sa fie atunt la starea de spirit a femeii pe care o doreste si atunci cind va observa ca ea este plina de dorinta, va indeparta, prin semne discrete prietenii lui si servitorii, daruind fiecaruia mici daruri. Ramasi singuri, vor putea incepe unirea sexuala. Fiecare va merge la baie pentru a-si face toaleta. Atfel pregatiti vor incerca sa fie cit mai tandri unul cu celalalt si cit mai puduci. Barbatul ii va da din mina sa sa manince fructe si dintr-o cupa ii va da sa bea sucuri naturale de fructe. Vor putea servi supe, fiertura de apacas, serbeturi, dupa care barbatul o va conduce pe terasa, de unde vor privi luna si cerul instulat. Este bine ca barbatul sa cunoasca putina astrologie si sa poata exlica amantei sale pozitia astrelor, imlicarea si semnificatia acestora in destinul uman etc. El ii va arata Luceafarul de dimineata, Steaua Polara, cele sapte Rishis sau Ursa Mare. Astfel se desavirseste unirea sexuala.

Certurile amoroase

In Kama Sutra, se aminteste ca astfel de certuri in tervin intre doi amanti ce se iubesc si ca, de asemenea, astfel de certuri nu fac altceva decit sa sporeasca dorinta unuia pentru celalalt.

Barbatul trebuie sa stie un lucru elementar, de comportament: va evita sa-I vorbeasca prietenei sale despre o alta amanta sau sa ii rosteasca numele acesteia sau sa-i laude calitatile, fapt ce ar pune-o in umbra pe cea de fata. Pusa intr-o astfel de situatie jenanta, femeia va actiona pe masura: ” Daca se intimpla o astfel de fapta, izbucneste o mare cearta; femeia plinge, se infurie, isi agita parul, isi loveste amantul, se ridica din pat sau din jilt si, aruncind in dreapta si stinga ghirlandele si podoabele, se intinde cit e de lunga la pamint. “Vazind reactia barbatul va trebui sa adopte o hotarire care sa o impace pe femeie. Ii va spune ca o iubeste numai pe ea, o va mingiia, ii va promite lucruri care sti ca ii fac placere, etc. El isi va da silinta sa o imbratiseze si sa o aseze pe pat, chiar daca ea va mai fi furioasa sau inca se mai preface a fi. Totusi femeia va trebuisa-si imbratiseze barbatul necontenind sa-I faca reprosuri, dar aratindu-i, astfel, dorinta ei de a avea contact sexual cu el.

Potrivit organizatorilor evenimentului, Emag!c Entertainment, echipa lui Lenny a solicitat în mod special oprirea tuturor aparatelor de aer condiţionat din zona culiselor şi păstrarea băuturilor artistului la temperatura camerei. Lenny Kravitz va ajunge în Bucureşti spre sfârşitul săptămânii, împreună cu un membru de baza al echipei: un căţel ce a însoţit staff-ul de producţie pe toată durata turneului european.

Lenny Kravitz va concerta sâmbătă, pe Stadionul Cotroceni din Bucureşti, show-ul fiind inclus în turneul de promovare a celui mai recent album al său, “It’s Time For A Love Revolution“.

Biletele disponibile în Gazon B, precum şi ultimele 300 de bilete cu loc (tribună şi peluză) pot fi achiziţionate din reţeaua magazinelor Diverta şi online, de pe www.myticket.ro.

Am plecat cu ploaie dupa noi prin gropile din prejurimile carefour-ului si am ajuns la poarta , la Bavaria.Ce bine aici nu ploua.Intram in antreu si intrebam…….”E ceva in seara asta?” ,la care bodiguardul de la usa spune f. serios!Citez: “E ceva lume”

Deschid usa ce-a mare a clubului si ce vad………WOW era ceva de nedescris! 20 de persoane?…..nu….15 persoane?…cred ca mai bine 10 persoane , cu tot cu barman, dj, cu mine si cu cei 2 amici ai mey!;;)

Ehe….acum dak am ajuns sa ne prefacem ca e bine!

Muzica:    scuze…….muzica????cum am ajuns eu intr-o discoteca goala unde se asculta(mixa) muzica latino?! Acum stiu care a fost atractia serii si care este scopul acestui text;)!!!!!!

Pe barul marelui club se afla o vietate care avea talia acoperita cu o bucata de “fusta” si aia rupta si cam atat! am ajuns la concluzia ca ma aflam acasa cu muzica la maxim si tocmai ce imi inchiriasem o curva sa imi danseze pe masa!  Foarte cool…asta dak nu te uitai la fatza ei si la tziganul care isi proptea piciorul in scara ce ducea odata la etajul acestui Club incercand sa isi manifeste masculinitatea printr-un dans pervers ,sau cel putzin asa isi imagina el!

Plec acasa nu e de mine aici…ma ploua iar…..nu-i nimik!probabil o sa revin intr-o zi cand e soare afara…ploaia sa imi fi adus ghinion oare?!?!?

Gata cu textele astea ca eu sunt la munca si voi va plictisitzi citindu-le!

Va poop dulce…mai ales pe surioara mea …… si sa ma iubitzi ca si eu ma gandesc la voi!!!!